Make it stand out.
It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference.
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Loading began as Noise, a working title that reflected exactly where the track was at—stuck in a loop with no clear direction forward. Instead of forcing it into something bigger, I leaned into that feeling and let the repetition define the piece.
The result is a short boom bap instrumental that feels minimal and self-aware. There’s no over complication, no attempt to stretch it beyond what it needed to be. Just a loop, a presence, and a name repeated enough times to feel intentional.
Also, if you know you know, but the artwork is also a slight nod and tribute to The Amazing Digital Circus.
Mic Drop (The Outro)
Mic Drop is a laid back hip hop instrumental created with the intention of being a closing statement. It carries a calm, reflective energy that feels like the natural end to a larger body of work, allowing everything before it to settle and resonate.
The name comes from that idea of a final moment. Not loud or dramatic, but confident in its stillness. It is the kind of track that does not need to demand attention because it already feels complete.
While there is no full mixtape attached to it yet, the concept remains. Mic Drop exists as that imagined ending, capturing the feeling of closure, reflection, and quiet confidence.
Curse
Curse is a cinematic hip hop instrumental inspired by the world of Harry Potter, featuring vocal samples from Voldemort and Hagrid. While the orchestral elements are not taken directly from the films, the strings and horns were chosen to mirror that same dramatic, magical atmosphere—blending tension, darkness, and familiarity into something reimagined.
The artwork follows that same energy. It’s messy, layered, and indulgent, but in a way that feels expressive rather than chaotic—embracing imperfection to create something visually striking and complete.
BOAT
Boat marks the origin of the Neptune Nimbus beat tag, introducing my now-signature “ohh Neptune” vocal. The voice itself comes from an unexpected place, which is why the working title for this track was Miss Puff, a nod to the Spongebob character behind the sample that helped shape its identity.
The beat carries a playful, energetic tempo that almost demands movement. It was one of those tracks that felt different the moment it hit the car speakers. It’s rhythmic, bouncy, and slightly chaotic in the best way. The kind of energy that makes you want to vibe with it.
Layered into the production are crowd chants that rise and fall like waves, giving the track a sense of motion and depth. That feeling, combined with the origin of the tag and the overall flow, led to the name Boat. Both the sound and the visual direction reflect that idea: movement, rhythm, and being carried forward by something bigger than yourself.
Cute Type Beat
Cute Type Beat is a soft, relaxed hip hop instrumental built around a sample from Rebel Without a Cause, blending classic film dialogue with gentle, modern textures. The track pairs subtle drums with bird calls and nature-inspired sounds to create a calm, airy atmosphere that feels light, reflective, and very intentionally cute.
There’s a quiet contrast at the heart of the piece. A film rooted in rebellion and emotional tension is reimagined into something warm and delicate, almost like a softened memory. This balance between edge and softness carries into the overall concept, influencing not just the sound but the visual direction as well.
Glory Daze
Inspired by the idea of a “glorified daze,” the design leans into distortion, layering, and contrast—capturing that in-between state where ideas feel both unclear and fully realized at the same time. It visually echoes the question introduced in the track’s intro, “Do you know what I was like in my glory days?”, presenting a mood that feels reflective, nostalgic, and slightly disoriented.
Interestingly, the working title for this piece was Phather. Unlike most projects where naming plays a role in shaping the direction, this title was chosen at random, allowing the visual identity of Glory Daze to develop more organically, driven purely by feeling rather than intention.